Sloan, Rural Alberta Advantage, Ohbijou, Bonjay @ The Great Hall, Toronto (December 21, 2011)

  Sloan @ The Great Hall: photo by Michael Ligon

Update [December 25/2011, 1:38 am]: Review now up. Merry Christmas! Now have to wrap some presents

Thinking back to 1995 when Sloan headlined CFNY 102.1 FM's Edgefest 3 festival at Molson Ampitheatre, billed as their farewell performance, Sloan had called it quits. Their most recent album at the time had been their second full-length Twice Removed, released a year prior in 1994, and arguably to the some was the band's finest album. But a year after Edgefest 3, the band reunited to release their third full-length, 1996's Once Chord To Another, and as they say the rest is history, with the band continuing to this day as one of Canada's most respected musical outfits. It was "Once Chord To Another" which Sloan chose to play front-to-back for Toronto charity COUNTERfit (an Ontario Ministry of Health and City of Toronto funded injection drug harm reduction program) at a show at The Great Hall organized by Toronto band Fucked Up. The promise of such a performance was more than a tantalizing factor for many who snapped up tickets for the sold out event. And as a bonus, the opening bands lineup was none too shabby itself, with an all Toronto supporting acts lineup featuring Bonjay, Ohbijou, and The Rural Alberta Advantage.

Electro-dancehall duo Bonjay featuring dynamite vocalist Alanna Stuart and programmer extraordinaire Ian “Pho” Swain were definitely the odd man out on the bill and did their best to warm up the small yet devoted early attendees. I'd caught about half the set as I myself had been running late. I chose to hang back during the remainder of their set which may have worked to my advantage as the beats and vocals sounded superb from where I was standing. As soon as their set was over, I made my way to the merch table and ended up purchasing one of the limited edition show posters and then I ducked out of the venue to put said poster in my car before returning about 20 minutes later.

It's been a number of years since I've seen live nor paid attention to Toronto's Ohbijou. I was always a fan of the band's melancholy, string-laden, indie-pop sound but as a live entity had usually been disappointed with their laid-back stage presence. Now on album number three with this year's released Metal Meets, which I still have yet to hear although I'm assuming they were playing songs off of at The Great Hall, it seems the band is flexing a little more muscle these days. With the Mecija sisters, vocalist Casey and violinst Jenny, both wearing black (Casey wearing a black hooded cloak even), I'd swear the band had gone goth, and even they haven't they're definitely heavier, hence the album title Metal Meets perhaps. The band seems to strike their instruments harder, and play louder, Casey even going-into guitar-face and strumming her guitar furiously at times. Ohbijou still maintain their recognizable melancholy pop sound but this time with more oomph, and it's working wonders for them.

Since the release of their first full-length "Hometowns" in 2008, Toronto's The Rural Alberta Advantage have gradually been achieving a most fervent fanbase within Toronto, Canada and beyond. RAA were a band who'd in their early days regularly played shows at the tiny Embassy in Toronto but more recently have been headlining at midsized Toronto venue, Phoenix Concert Theatre. It'd been a few years since I'd seen RAA live when they played the third stage at 2009's Virgin Festival Toronto, the same year that American indie label rereleased their debut album Hometowns. Earlier this year, the band released their second album Departing which by my own procrastination had never gotten around to picking up. Given this gap in my RAA experience, it was nice to again see the band live. If you're familiar with the band's propulsive acoustic sound based around drums, keys, and acoustic guitar, then yes, not much has changed but that is a good thing. The band played a bit more ragged than usual ["Edmonton" in particular, seemed a bit more sped up and less rigid than on record] but overall reminded me why they're one of the best current bands in Toronto.

Beginning with Fucked Up's Damian Abraham announcing Sloan on to the stage, a la the beginning of One Chord To Another ("Will you please… welcome to the stage… SLOAN!"), the band erupted into lead off track "The Good In Everyone" and proceeded to play the entire album front to back. Second track "Nothing Left to Make Me Want to Stay", never a single but which should have been in my opinion, remains one of my favourite tracks on the album and I was singing along to much of it. You could feel the crowd energy surge on the punky "G Turns to D" and later on the urgent "Anyone Who's Anyone" (whose lyrics "Everyone who's played a part, We're all together now, Everyone who's played a part, stand and take a bow" sounded so appropriate that night). Other highlights included the three person horn section on "Everything You've Dong Wrong" and "Take The Bench", the former also benefiting from the crowd singalong. The Jay Ferguson-sung "The Lines You Amend" also garnered a favourable reaction from the crowd and a further crowd singalong. I cannot remember if I'd ever heard "Can't Face Up" live but regardless of guitar flub during the Patrick's solo which he freely admitted, hearing it that night was like listening to if for the first time, and when Patrick belted out the chorus it was sublime.

While the occasion of the night was to play One Chord To Another, the encore was a treat unto itself. Kicking off with one of my faves from Twice Removed, "Snowsuit Sound", then Fucked Up's Damian come on to stage perform a punky / hardcore number which I did not recognize which had Damian and Chris vocally playing one another then lead to some physical horseplay between the two. The next song "500 Up"(from their debut Smeared) was a pure joy to hear regardless of the mic problems that plagued drummer Andrew Scott's vocal parts. The piece de resistance to the encore and the night was the surprise appearance by Toronto's own Leslie Feist, who played added guitar for what was an energetic rendition of the band's song "She Means What She Says". Wow. What started out as Sloan agreeing to play a special charity show turned out for me in coming full circle with the band; the show revived, at least temporarily, the pure euphoric rush I once had for them. I guess that is what we call nostaligia but damn it sure feels good. After all, they are a band that has a song called "If It Feels Good Do It". Thanking the crowd at the end, Chris remarked that they came to Toronto as a Halifax band, but more and more are feeling like a Toronto one. And this another reason why Toronto is one of the best cities in the world.

Photos: Sloan, Rural Alberta Advantage, Ohbijou, Bonjay @ The Great Hall, Toronto (December 21, 2011)
MySpace: Bonjay
MySpace: Ohbijou
MySpace: Rural Alberta Advantage
MySpace: Sloan

Natural's Not In It --- Gang of Four in town this Friday; new disc "Content" just released

  Gang of Four (photo via)

The Toronto Star, chartattack, The Toronto Sun, Eye Weekly, and Spinner all have pieces on seminal post-punk outfit Gang of Four who play a show in Toronto at the Phoenix this Friday and are promoting their recently released new disc Content. They were a band that I'd caught on to about 5-7 years ago(or perhaps more) when I randomly found a copy of their Peel Sessions release, then found that the public library system in Mississauga had a copy of their retrospective collection 100 Flowers Bloom: Anthology. Over time, as luck would have it, I'd collect their albums on vinyl including a near mint copy of their debut Entertainment which I found at a local Goodwill for $2. But my interest was further piqued when the band reissued their debut album on CD in 2005, as well as the band's inclusion (with their song "Natural's Not In It") on the soundtrack of the 2006 Sophia Coppolla-directed film "Marie Antoinette". Most recently a segment of the band's song "Natural's Not In It" can be heard in of all things, a television ad for Xbox Kinect.

For the price of an e-mail , you can download the track “You’ll Never Pay For The Farm” from the new album Content - head over to the band's website.

Rural Alberta Advantage talk with AUX.TV. Watch the band's recent music video for their song "Stamp" from their upcoming new album Departing, out March 1, 2011 on Saddle Creek.

Toronto electro-rock trio Young Empires have announced they will be playing the Canadian Music Fest showcase, along with Yukon Blonde, at The Great Hall on March 10.

The pyschedelic-looking new music video from UK outfit The Go! Team is cool, but the song entitled "Buy Nothing Day", with vocals from Best Coast's Bethany Cosentino, is pure pop terrificness. Best Coast are in town for a show at the Phoenix this Sunday February 6 with openers Wavves, and No Joy. The Go! Team play The Opera House in Toronto on April 10; the band's new disc Rolling Blackouts came out February 1.

Have been meaning to check out Toronto outfit Bonjay live and a probably have to skip their upcoming instore at Soundscapes on February 12(at 7 pm) since their Facebook Event Page says it's gonna be a short performance, but that doesn't mean you have to skip it. One of these days.

The Journal interviews Julie Doiron. She's at the Horseshoe tomorrow night for a show.

So long to The White Stripes.

Rural Alberta Advantage @ Soundscapes in Toronto (November 17, 2009)

No I'm not stalking Rural Alberta Advantage 's Amy Cole as much as the above photo may seem - it was just the best photo I could capture having arrived a little late for the band's intimate instore performance at Soundscapes in Toronto this past Tuesday. 'Intimate' is the key word as the band opted for a more subdued performance than their usual live show as will likely be on display when they play a sold-out show at Lee's Palace tomorrow night. It was very much a bedroom performance as if they were trying not to disturb the neighbours and the crowd on hand was perfectly attentive. RAA's Nils Edenloff compared this set to their days when they hosted an open mic night at a venue on Parliament [presumably the now defunct Winchester, if this article is accurate]. A brief but good preview it was for tomorrow night's show and I believe they played at least one new song (anyone know the title?). With any luck I'll be at Lee's tomorrow night for the show (which I'll remind you is sold out); next time I won't wait so long to buy a ticket.

So what else fancies me these days, at least musically speaking?

The Magnetic Fields perform an all-ages show Queen Elizabeth Theatre in Toronto on February 8, 2010, tickets $30.50, and go onsale to the public on Saturday November 21 at 10 am. Some of you scored presale tickets I see. Jealous.

Paper Bag Records are giving away a free digital sampler to celebrate 7 years in business - entitled '7 year itch', it features the labels artists covering a selection of tunes by various artists. Have yet to hear it but The Acorn covering Gowan's "Strange Animal" seems strangely intriguing. On a related note, it's news to me that The Acorn's "Glory Hope Mountain" was the only Canadian album to make the longlist(although not the shortlist unfortunately) for the 2009 Uncut Music Award back in September (the winner to be announced in the magazine's January 2010 issue). Just recently the album also made Uncut's list of the Top 150 Albums of the decade, scoring in at 147. Seems like a good time to reacquaint myself with this album.

Hottest Bands in Canada, 2009 edition

    photo credit: Joe Fuda

As Matthew of I(Heart)Music has done over the past four years, he's again polled a selection of Canadian music writers, journalists and bloggers for their top ten hottest Canadian bands / artists of the year. I've always been happy to participate and this year's not any different. In some ways, I'm behind the curve on some of the new artists that made the top 32 - bands like The Balconies, The Wooden Sky and Bruce Peninsula who I've only had cursory listens of but am intrigued but have yet to check out live. Past favourites of mine like Ohbijou and Great Lake Swimmers didn't make it to my top 10, and not because they were not 'hot', but rather because personally I didn't end up spending much time with them, either listening to their new releases or going to see them live. My top 10 list was a very subjective one, although scrutinized with a little objectivity - in the end what made my top 10 were those bands / artists who had some sort of activity in 2009 (whether it be touring, releasing music etc...) and who musically had an impact on me. Check out the list below with the commentary for each I submitted (numbers in brackets indicate the artists' ranking in the final top 32):

01. (1) Rural Alberta Advantage (Toronto, Ontario)

They played New York City, SXSW, Toronto and all points in between. They signed to Saddle Creek. I saw them live at for the first time earlier this year during Canadian Musicfest, saw them perform a rapturous hometown CD release show at the Horseshoe Tavern, and then ended the summer seeing them at this year's Virgin Festival[who were immensely better than most of the acts that played the larger stages that day]. I was generally behind the curve latching on to them but better late than never.

MySpace: Rural Alberta Advantage

02. The Hidden Cameras (Toronto, Ontario)

Led by Mississauga-homeboy Joel Gibb, Toronto's The Hidden Cameras returned quietly with their newest album "Origin: Orphan". I had the pleasure of catching their special intimate CD release show at Goodhandy's in Toronto which only emphasized that it's one of my favourite Canadian albums this year. One will still find pleasure in the band's gay-friendly sunny pop tunes but to the provide some balance there's some darker songs and more ambitious instrumental arrangements. Maturity never sounded so good.

MySpace: The Hidden Cameras

03. (9) Metric (Toronto, Ontario)

Fuck the haters. Their most recent album "Fantasies" is a good album. Metric were always rock stars even when they were indie but bottom line they were and still are credible. "Gimme Sympathy" was one of the best singles of the year and there's something so profound about the lyric "who'd you want to be, The Beatles or The Rolling Stones". And when Ms. Haines returned to perform an acoustic version of this song at Broken Social Scene's homecoming show at Harbourfront Centre in Toronto back in July, it was heaven.

MySpace: Metric

04. (22) Gentleman Reg (Toronto, Ontario)

Reg Vermue aka Gentleman Reg played a shit load of live shows this year, and will continue to do so until the end of the year, in support of his most recent release "Jet Black". The more I listen to the samples on his MySpace, the more I wonder why I haven't yet picked up the album. Delicious, edgy pop music.

MySpace: Gentleman Reg

05. (27) Olenka and The Autumn Lovers (London, Ontario)

This London, Ontario outfit seems to be winning new fans incrementally with each live show. I continue to brag about being one of only a few people who caught their live set at C'est What during North By NorthEast back in 2008 but it seems people are now catching on to the band's charming hybrid of rootsy, acoustic, gypsy-folk. Festival-heavy participation this year for the band including NXNE, their own hometown LOLA festival, Pop Montreal and Halifax Pop Explosion as well as the self-release of their debut full-length has made it a successful and busy year for them.

MySpace: Olenka and The Autumn Lovers

06. Junior Boys (Hamilton, Ontario)

The Hamilton duo released their newest album "Begone Dull Care" continuing in the vein of past releases with another album of organic and electronic elements that intersect with the duo's solid songwriting aspect. Any year the boys release an album, they'll be hot.

MySpace: Junior Boys

07. (32) Still Life Still (East York, Ontario)

Signing to Arts & Crafts this year with the release of their debut album "Girls Come Too", Toronto's Still Life Still combine the youthful exhuberance of peers like Tokyo Police Club but with a scruffy pop sensibility that's more in line with their label brethren Broken Social Scene. BSS jr. perhaps, but there's a tune or two from Still Life Still that'd sound terrific on your next playlist[ok the old-schooler in me really wants to say mixtape, but hey who I am kidding?].

MySpace: Still Life Still

08. Hooded Fang (Toronto, Ontario)

This young Toronto outfit makes me smile with their boy-girl vocal-sung indie pop. They only have a five-song EP under their belt(released in early 2009), but 5 songs is better than none right? The band seems content playing around Toronto for now, but do check them out if they hit a town near you. Trust me - their song "Land of Giants" - the definition of pop gem.

MySpace: Hooded Fang

09. The Diableros (Toronto, Ontario)

They've been pretty quiet lately but they're slowly easing back into playing live and the band step up to professional-quality recording with the release of a new EP entitled "Old Story, Fresh Road" to tide things over until the next album. I still remember how insanely good their debut album, 2005's "You Can't Break the Strings in Our Olympic Hearts" was, and how their 2007 album "Aren't Ready for the Country", if not as intoxicating as the debut, was still quite good. The new EP's "Heavy Hands" stands as one of my favourite tracks of the year.

MySpace: The Diableros

10. Tokyo Police Club (Newmarket, Ontario)

TPC spent the year touring, playing dates at All Points West Festival(in New Jersey), the Canadian National Exhibition in TOronto, Hillside Festival in Guelph and even a l'il free summer show in my hometown of Mississauage, and they will continue to play live into November. God love 'em. Late on the wagon as I was, I finally got down to listening to their debut full-length, 2008's "Elephant Shell" and haven't looked back since.

MySpace: Tokyo Police Club

Canadian Musicfest in Toronto (March 12, 2009)

concert review: Canadian Musicfest (part of Canadian Music Week) in Toronto - March 12, 2009

2/3's of Rural Alberta Advantage @ Gladstone Hotel: photo by Michael Ligon


Not much club hopping this night as after starting my night at Rancho Relaxo I parked it for the rest of the night at Eye Weekly's 3-way Throwdown over at Gladstone Hotel. I was spared the frigid temperatures for the most part, but on the other hand staying in one venue and standing up is actually more tiring that hopping from venue to venue for an entire night. Thankfully, the Gladstone's CMF lineup was interesting, if not stellar.

9 PM - We See Lights @ Rancho Relaxo

Scottish folk-rock outfit We See Light ushered in my Canadian Musicfest experience this year and were one of the highlights. While it was a thin crowd (perhaps some of which were probably members of other bands performing that night), it didn't seem to phase the band at all. The young band do have a certain fashionable indieness about them but their music is of the good honest songwriting variety, their tantalizing melodies performed with electric and acoustic instrumentation and wrapped up beautifully by their thick Scottish vocals, most notably of the band's lone female vocalist Ciaran McGuigan. Their first single "Parachutes" (a love song that draws on the analogy of a parachute as they sing 'break my fall' in unison) is off their upcoming album "Ghosts and Monsters" - it's a wonderful song that makes the transition from the in-unison-sung "Break my Fall" to the charming alternating boy-girl verses that follow. Ciaran was gracious enough to give me a free CD sampler when I asked if they had any CD's. Consider yourself fortunate if you were able to see this Scottish outfit at any of their other showcases during Canadian Musicfest.

10 PM - Angela Desveaux & The Mighty Ship @ Gladstone Hotel

This was only the second time I'd seen Ms. Deveaux and co. live since 2006 and she's as down-to-earth a performer as I'd remember her being. For the most part, though she did let the music speak for itself from the countrified melancholy pop of her debut (from which I recall she only played one song) to her most recent album "Angela Desveaux & The Mighty Ship" (which the set was heavy upon) extending the sound of her debut with meatier instrumentations most notably in guitarist Mike Feurstack's bright and brilliant guitar arrangements. She's one of the most approachable artists I've ever had the pleasure of chatting with, if ever so briefly, and while she did make reference that she's fairly under the radar in Toronto and hence hasn't toured here much, I do plead that Toronto music fans check her out.

Myspace: Angela Desveaux & The Mighty Ship

11 PM - The Week That Was @ Gladstone Hotel

Inked as the Toronto debut of UK's The Week That Was, it was a four member version of the band that imparted their proggish pop tunes upon the audience. Although I did mention the word 'pop' it's more a description of their sprightly textured guitar and keyboards instrumentation and less of a focus on obvious melodies. In spots, they did remind me of XTC. I've read that they've had up to 12 members in the band, but without the benefit of members on flute, horns and the such, the four-member version came across with a rockier flavour. Their music does present a certain amount of enjoyability at least in terms of their tight succinct instrumentation, and while the crowd seemed to have a positive, if polite, reaction, a few more obvious melodies wouldn't have hurt.

12 PM - Slim Twig @ Gladstone Hotel

Think an even more freak-out version of Mr. Jon Spencer, Toronto's Slim Twig siphons his obvious love for rockabilly (reverbed drenched vocals and guitar) through experimental, whigged out means, incorporating electronic effects, skronky keyboards and a Fall-like angularity. By no means my regular cup of tea but his guitar and vocal work was incendiary at times and I did enjoy the set's visceral energy. And as I'd told a fellow blogger, I'd much rather listen to Slim Twig than a conventional boring band.

1 AM - Rural Alberta Advantage @ Gladstone Hotel

I have no reasonsable explanation as to why it took me so long to see Toronto trio Rural Alberta Advantage live but damn they're good. What's most impressive is even the most rudimentary of instrumentation (acoustic guitar[Nils Edenloff], drums[impressively played by Paul Banwatt], xylophone, tambourine, handclaps[the last 3 instruments enthusiastically performed by Amy Cole], vocals) cannot deter from the fact that their songwriting is impeccable and their songs are catchy as fuck. Adding to their musical abilities, they were confident onstage and were able to encourage the audience to participate if at least to enthusiatically clap along to the songs. On more than one occasion I recall reading articles/blog posts pondering why they still are not signed yet, and I must emphatically add to that sentiment. It's only a matter of time.

MySpace: Rural Alberta Advantage

Photos: Canadian Musicfest - March 12, 2009