Showing posts with label Acorn. Show all posts
Showing posts with label Acorn. Show all posts

Thursday, November 19, 2009

Rural Alberta Advantage @ Soundscapes in Toronto (November 17, 2009)

Amy Cole of RAA @ Soundscapes: photo by Michael Ligon

No I'm not stalking Rural Alberta Advantage 's Amy Cole as much as the above photo may seem - it was just the best photo I could capture having arrived a little late for the band's intimate instore performance at Soundscapes in Toronto this past Tuesday. 'Intimate' is the key word as the band opted for a more subdued performance than their usual live show as will likely be on display when they play a sold-out show at Lee's Palace tomorrow night. It was very much a bedroom performance as if they were trying not to disturb the neighbours and the crowd on hand was perfectly attentive. RAA's Nils Edenloff compared this set to their days when they hosted an open mic night at a venue on Parliament [presumably the now defunct Winchester, if this article is accurate]. A brief but good preview it was for tomorrow night's show and I believe they played at least one new song (anyone know the title?). With any luck I'll be at Lee's tomorrow night for the show (which I'll remind you is sold out); next time I won't wait so long to buy a ticket.

So what else fancies me these days, at least musically speaking?

The Magnetic Fields perform an all-ages show Queen Elizabeth Theatre in Toronto on February 8, 2010, tickets $30.50, and go onsale to the public on Saturday November 21 at 10 am. Some of you scored presale tickets I see. Jealous.

Paper Bag Records are giving away a free digital sampler to celebrate 7 years in business - entitled '7 year itch', it features the labels artists covering a selection of tunes by various artists. Have yet to hear it but The Acorn covering Gowan's "Strange Animal" seems strangely intriguing. On a related note, it's news to me that The Acorn's "Glory Hope Mountain" was the only Canadian album to make the longlist(although not the shortlist unfortunately) for the 2009 Uncut Music Award back in September (the winner to be announced in the magazine's January 2010 issue). Just recently the album also made Uncut's list of the Top 150 Albums of the decade, scoring in at 147. Seems like a good time to reacquaint myself with this album.

Tuesday, January 29, 2008

Cheer It On

Tokyo Police Club @ Nathan Phillips Square(Toronto, Ontario), January 26, 2008
Tokyo Police Club @ Nathan Phillips Square

I caught Tokyo Police Club over the weekend at their free show at Nathan Phillips Square. I'd avoided listening to them for so long, except for the occasional "Nature Of The Experiment" which would pop on 102.1 The Edge every now and then. As the buzz around the band has temporarily subsided(at least until their debut full-length "Elephant Shell" is released in April), I went into their set on Saturday night with a relatively open mind and honestly I found them to be impressive. Not impressive in terms of musicianship necessarily, but they do have a certain rough-hewn brand of melodic, spunky indie-rock that's enjoyable and hasn't passed it's expiry date, at least in my books. One thing comes to mind and that's how come I couldn't be that cool when I was their age? Aside from the tunes from their EP's and upcoming full-length I assumed they played, they also did a guitar-y version of The Rentals' "Friends of P" that really hit the spot. Part of me avoided listening to them for so long because they had to cancel their appearance at last year's Beating Heart Festival concert series in Mississauga(my neck of the woods). I guess I'll forgive them now.
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In other news:

Pitchfork interviews Weezer frontman Rivers Cuomo.

Junkmedia has an interview with Ottawa's The Acorn.

Popjustice has a brief interview with Saint Etienne's Sarah Cracknell. I wish they'd come back to Toronto already. I'm still waiting for my "Boxette" to arrive in the mail.

Listen to a live session that UK's The Duke Spirit did for BBC 6 Music's George Lamb program last week. See some photos from the session here. The band's new album "Neptune" will be released as an import on February 12 with the band setting out on a mostly UK tour(with a couple of North American dates, but no Toronto one yet) starting at the end of this week. They're in New York City on February 13 & 14 then in Austin(for SXSW) on March 12 so my guess(duh) would be that a Toronto date could be inbetween.

Laura Barrett has some Ontario/Quebec tour dates coming up in February and March. According to her new label Paper Bag Records, she'll be in Toronto at the Gladstone on February 4(@ 9pm) for a live webcast courtesy of Eyes On Toronto. I don't have info about attending it live but I guess you can catch it online. Her "Earth Sciences" EP will be out through Paper Bag Records on February 26. Laura has a nice artistic new music video for her song "Robot Ponies" which you can view below(thanks to John Sakamoto's The Anti-Hit List for the tip):

Video: Laura Barrett - "Robot Ponies" (music video)

Not big news anymore, but I'm 99 % sure I'm going to pick up a ticket for the R.E.M./The National/Modest Mouse show at Molson Ampitheatre coming to the venue on June 8. The last big-venue show I went to(not counting outdoor festivals) was coincidentally the same venue several years ago for Oasis and Sloan. [news via Brooklyn Vegan]

Also via Brooklyn Vegan, Hugh Masekela's Chissa All-Stars will be in Toronto on February 15 as part of the Small World Music Series. The show's at the Phoenix Concert Theatre and tickets are $30 in advance.

Listen to the live session that The New Pornographers did for World Cafe on January 25, 2008.

Thursday, February 22, 2007

Brampton Indie Arts Festival

concert review: Brampton Indie Arts Festival @ Rose Theatre(Brampton, Ontario), Friday February 16, 2007

Ohbijou @ Rose Theatre(Brampton, ON): photo by Michael Ligon

Friendly Rich brought this year's edition of the Brampton Indie Arts Festival to the new Rose Theatre in Brampton last week with some of the finer acts that the suburbs have seen in a long time, or at least since last year's festival. I only made it out to the festival on Friday night which featured a good selection of acts including Ohbijou, Kids On Tv, Laura Barrett, Baby Eagle and The Acorn. Other than Ohbijou who performed in the Rose Theatre, the rest of the acts I saw performed in the secondary space. The Rose Theatre is posher than most venues I've been to, and it was quite an experience to hear the orch-pop tunes of Ohbijou in these majestic surroundings. It was a shame that attendance wasn't anything close to capacity, and the crowd on-hand seemed quite comatose as a semi-enthusiastic response greeted the end of every song, followed by a eerie, awkward silence. I think it threw the band off because they really didn't know what to say between songs. It was my first time seeing Ohbijou live and while I enjoyed it on one level I think I'd have enjoyed them in a smaller, more intimate surrounding such as the secondary space where I saw the rest of the other acts during the night.

There was definitely a better vibe in the smaller secondary space. While the scale of the festival is admirable, I thought only a few of the acts(Final Fantasy being the most prominent) were capable enough to draw sufficient numbers to fill seats in the Rose Theatre. The secondary space stage was a mostly standing room area that was smaller and more intimate and for the night that I was there, had the better lineup. First act I caught that night were the electro-hip-hop-clash stylings of Kids On TV who for the most part weren't my thing, although I did think the last song of their set which was duet between one of the male vocalist and the female vocalist was totally sexy - it reminded me of that song that Iggy Pop and Peaches had sung. At one point during the set, a member of the group stripped down to his briefs and started to breakdance - it may have seemed like a joke initially, but on closer inspection I realized that he was totally sincere about it. Respect. Next up was the charming kalimba-playing, singing-about-Robot-Ponies-singing Laura Barrett. She encouraged everyone to sit on the floor for her set(even jokingly singling out someone at the back who was still standing up) and with her kalimba and a companion on stage who was playing a toy(?) glockenspiel the atmosphere of the moment made me feel like I was back in kindergarten. It was my first time seeing her perform, and I can see why people like her. The quirky instrumentation, a attractive singing style and her charming lyrics and melodies puts Laura in a class all of her own. She's so charming and she deserves a larger audience. Laura made a funny comment about her fondest memories of Brampton was biking away from it[referring to a charity bike trek from Brampton to Guelph she had took part in a year or two ago]. Baby Eagle(solo project of The Constantines ' guitarist Steve Lambke) was next and his Bob Dylan-esque troubadirian style was great. His rough-hewn vocals don't always seem to do his melodies and guitar strummings and arrangements justice but hey, if Neil Young and Bob Dylan can get away with, well you know. It was a mostly low-key set of acoustic strummings and a little harmonica but Steve did his best to rock out with his last song. The band I was most interested in seeing were Canadian music blog faves from Ottawa, The Acorn. They play delicate, intricate indie rock with great swooning melodies, topped off with the vulnerable-sounding vocals of their lead vocalist. I'd heard their song "Blankets" off the 'net, but live it just bowled me over. If I recall, "Blankets" was the last song of their set, and with the crowd on their feet, it was a triumphant set closer. I could have ended the night at this point, I decided to check out standup bass and harp duo of Trevor Dunn and Shelley Burgon whose experimental soundscapes were interesting but a little over my head.

So in all, a decent night of music. I wish I made it out to one or two of the other nights of the festival but it wasn't meant to be. Oh well. There's always next year. Whatever said above about the Rose Theatre, I do have to point out that the theatre is beautiful and I hope they'll book some good acts there in the future. Just a last mention, it was nice meeting Lidia of torontoindie.com.

Here are my photos from the show.

MySpace: Ohbijou
MySpace: Kids On Tv
MySpace: Laura Barrett
MySpace: Baby Eagle
MySpace: The Acorn